Before and after concert photos
I want to share some before and after examples of my photo editing with you. This is a vulnerable thing for me to do as a photographer, but I sometimes get asked “What corrections do you do to the images” or “Why do you edit the images”. Taking photographs is a small part of what I do. Administration, including editing and marketing, take up lots of my spare time.
Every concert is different. You never have the same light conditions, the venues are different and you can’t ask the artist to pose for you. Therefore, editing images takes varying degrees of time, depending on what corrections are needed.
I like my photos to look natural and realistic, clear. According: as little as possible as much as necessary, I edit my photos. Focus on creating the mood in my images and showing what it was like to be there. But never black and white.
Even with the right settings, photographers can’t always produce perfect photos.
Why do I always shoot in raw?
Shooting in JPEG can result in loss of image information as the picture is compressed. With RAW, I am able to produce higher quality images making it easier to edit.
All post-production work are carried out in Adobe Lightroom, and not Photoshop, by utilizing a variety of editing techniques. Basic settings such as exposure, vibrancy, contrast, and sharpening. And sometimes kinda every slider in Lightroom.
How much time does it take to edit an image?
It’s hard to quantify how long it takes to edit a single photo or even a full gallery. It depends on a lot of things:
- How long I was allowed to shoot? Most of the time, three songs but sometimes the whole show.
- Just a singer-songwriter or a band where every is not just standing around?
- How was the light? Red LED lights, almost natural or literally no light?
Sometimes I need just 30 seconds, sometimes 5 or more minutes for one photo.




Before and after photos – some examples:
Drag the white slider over any of the below images to see some before and after pictures. Left the original RAW file as a not edited JPG, right the edited JPG file.
2026
The Howling at Hydrozagadka in Warsaw / Poland
- Sony a7 iv, 28-75 mm/2.8
- 09. May 2026
- 72 mm
- 1/200 sec … f / 3.2 … ISO 4000


Grandson at Huxleys Neue Welt in Berlin / Germany
- Nikon D750, 14-24 mm/2.8
- 30. January 2026
- 24 mm
- 1/800 sec … f / 3.5 … ISO 2000


2025
Dominum at Uber Eats Music Hall in Berlin / Germany
- Nikon D750, 70-200 mm/2.8
- 27. December 2025
- 200 mm
- 1/400 sec … f / 4.0 … ISO 3200


Wargasm at Uber Arena in Berlin / Germany
- Nikon D750, 70-200 mm/2.8
- 28. November 2025
- 200 mm
- 1/400 sec … f / 2.8 … ISO 2500


Bluthund at Huxleys Neue Welt in Berlin / Germany
- Nikon D750, 14-24 mm/2.8
- 18. January 2025
- 14 mm
- 1/320 sec … f / 4.5 … ISO 2000


2024
Electric Callboy at Velodrom in Berlin / Germany
- Nikon D750, 14-24 mm/2.8
- 02. February 2024
- 24 mm
- 1/2500 sec … f / 4 … ISO 2000


2023
Tim Vantol at Cassiopeia in Berlin / Germany
- Sony Alpha 7III, 28-75 mm/2.8
- 19. Oktober 2023
- 28 mm
- 1/200 sec … f / 3.5 … ISO 5000
More photos of this concert you can find on Flickr! Click here!


2022
Shame at Festsaal Kreuzberg in Berlin / Germany
- Nikon D750, 24-70 mm / 2.8
- 04. May 2022
- 24 mm
- 1/250 sec … f / 2.8 … ISO 8000


2021
Vizediktator at SO36 in Berlin / Germany
- Nikon D750, 14-24mm/2.8
- 12. November 2021
- 52 mm
- 1/320 sec … f / 2.8 … ISO 2500


Pillow Queens during Pure & Crafted Festival in Berlin / Germany
- Nikon D750, 70-200mm/2.8
- 18. September 2021
- 135 mm
- 1/1000 sec … f / 5.0 … ISO 1600


Milliarden at Gladhouse in Cottbus / Germany
- Nikon D750, 24-70mm/2.8
- 22. August 2021
- 26 mm
- 1/320 sec … f / 2.8 … ISO 2500


2020
Frank Turner at Swiss Life Hall in Hannover / Germany
- Nikon D750, 14-24mm/2.8
- 12. November 2021
- 23 mm
- 1/320 sec … f / 2.8 … ISO 2500


Editors at Velodrom in Berlin / Germany
- Nikon D750, 70-200mm/2.8
- 03. Februar 2020
- 70 mm
- 1/250 sec … f / 2.8 … ISO 200


Whispering Sons at Velodrom in Berlin / Germany
- Nikon D750, 70-200mm/2.8
- 03. Februar 2020
- 70 mm
- 1/250 sec … f / 2.8 … ISO 200


Dave Hause at UT Connewitz in Leipzig / Germany
- Nikon D750, 24-70mm/2.8
- 02. Februar 2020
- 70 mm
- 1/250 sec … f / 2.8 … ISO 2000


Amaranthe at Max-Schmeling-Halle in Berlin / Germany
- Nikon D750, 70-200mm/2.8
- 25. January 2020
- 200 mm
- 1/1250 sec … f / 3.2 … ISO 250


2019
Dermot Kennedy at Columbiahalle in Berlin / Germany
- Nikon D750, 70-200mm/2.8
- 10. November 2019
- 12 mm
- 1/1250 sec … f / 2.8 … ISO 1250


Leoniden during Nah Am Wasser Festival in Münster / Germany
- Nikon D750, 14-24mm/2.8
- 13. July 2019
- 14 mm
- 1/800 sec … f / 6.3 … ISO 500


Dropkick Murphys at Zitadelle Spandau in Berlin / Germany
- Nikon D750, 14-24mm/2.8
- 29. June 2019
- 14 mm
- 1/400 sec … f / 2.8 … ISO 200


13 Crowes at The Classic Grand in Glasgow / UK
- Nikon D750, 50mm/1.8
- 24. June 2019
- 50 mm
- 1/200 sec … f / 3.2 … ISO 2000


2018
Gang Of Youths during Pinkpop Festival / Netherlands
- Canon PowerShot GX 7
- 16. June 2018
- 32 mm
- 1/320 sec … f / 3.2 … ISO 2000


2016
Lindsey Stirling during Lollapalooza Festival in Berlin / Germany
- Nikon D610, 70-200 mm / 2.8
- 10. September 2016
- 116 mm
- 1/1250 sec … f / 5.0 … ISO 400


2015
Donots at Bi Nuu in Berlin / Germany
- Nikon D620, 50 mm / 1.8
- 28. April 2015
- 50 mm
- 1/2000 sec … f / 1.8 … ISO 2500


We Are The Ocean at Musik & Frieden in Berlin / Germany
- Nikon D620, 70-200 mm / 2.8
- 31. March 2015
- 101 mm
- 1/160 sec … f / 2.8 … ISO 3200


2014
The Gaslight Anthem at Jahrhunderthalle in Frankfurt / Germany
- Nikon D610, 24-70mm/2.8
- 14. November 2014
- 70 mm
- 1/400 sec … f / 2.8 … ISO 1250


The Gaslight Anthem at Jahrhunderthalle in Frankfurt / Germany
- Nikon D610, 24-70mm/2.8
- 14. November 2014
- 20 mm
- 1/400 sec … f / 2.8 … ISO 800


Chuck Ragan & Dave Hause at Alte Scheune in Dresden / Germany
- Nikon D610, 24-70mm/2.8
- 14. November 2014
- 20 mm
- 1/400 sec … f / 2.8 … ISO 800


© Adina Scharfenberg Photography
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